Services & Equipment

DCP MASTERING

Digital Cinema Package is a digital cinema package, a digital film, with a specific data format for image and sound. DCP aims to create a norm in digital cinema in order to facilitate the worldwide distribution of movies and advertisements.

 

Stefilm has been creating DCP files since 2010 using software such as the Easy DCP Creator. We provide a sufficient work progress in perfect compliance with DCI standards.

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DCP mastering to DCI standards

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DCP 24/25 fps

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DCP at 4K / 2K analysis

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DCP re-master

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DCP copy

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DCP replication (CRU)

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Multilingual 2D & 3D subtitling

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Encrypted and unencrypted

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Format hard drivers to Linux xt3 – NTFS

4K/2K SCANNING

 

 

 

STEFILM using the Cintel Scanner of Black Magic for scanning of archival
films. It features a high intensity diffuse light source and advanced imaging
system so you get real time HDR scanning of 35 & 16mm
in Ultra HD resolution.

 

 

The Cintel Scanner is perfect of creating digital film files you can use in post
production or for unlocking vast film libraries. The Cintel Scanner scanning
negative or positive films 35 & 16mm in a spectacular Ultra HD quality.

 

 

Finally, its important to know that the 35mm film has extremely high dynamic
range and a native resolution of 4K. STEFILM’s experience in

STEFILM with the appropriate Scanners in her studio has the
ability to digitize all the widths of the films.

  • For Super or Regular 8 it is very important that the quality control of the material is right, as it is very likely that its age is not in the desired state for scanning. From Super or Regular 8, which is scanned by frame by frame, you can get digitized material in HD 1920×1080 quality.
  • For the 16 & 35 mm most modern film, the digital cleaning process is necessary as the image depicted on the monitor is often abused due to the multi-use of the film. Then come the color interventions so you have a vivid image. Το The digitized material is given in quality 4K, 2K, and HD.

SOUND RESTORATION

  • Sound Scanning
  • Digital Cleaning
  • Sound Design
  • Sound Engineering

IMAGE RESTORATION

  • Film Scanning
  • Color correction
  • Digital Cleaning
  • Sync Audio

UPSCALE – TRANSCODING

  • Upscale from BETA/DB/SB/VHS/DVD to PAL/HD/2K/4K
  • Upscale digital from HD/2K to 4K
  • Digital Transcode

COLOR CORRECTION

  • 2 Suites DaVinci Resolve
  • Commercial or any film and Ads

EQUIPMENT

MWA MB51

The MWA MB51 has deservedly earned itself a reputation worldwide due to it’s’ extremely high build quality, performance, reliability and longevity. These facts make it an ideal choice for facilities where the processing, replay, preservation and transfer of Archive (also damaged) Magnetic material is undertaken, or where quality control of Analogue/Digital Optical soundtracks is necessary.

The MB51 is supplied in the following formats:
• Single format 16mm Magnetic Film
• Combined 16mm & 17.5mm Magnetic Film
• Combined 16mm, 17.5mm & 35mm Magnetic Film
• Single format 35mm Magnetic Film 

Operational speeds are:
• 24 & 25 Frames
• 48 & 96 Frames
• 750 Frames synchronous speed for 16mm
• 300 Frames synchronous speed for 17.5 & 35mm MB51

Features 
•Short acceleration times 
•Simple film lacing 
•Gentle film treatment insensitive to splices 
•Low wow and flutter levels 
•Sync to Pilottone or Bi-phase 
•Easy coupling to Audio, Video or Film machines 
•Extremely low maintenance

LIPSNER SMITH CF3000 MK VI

• Cleaning: Ultrasonic cavitation followed by a filtered solvent rinse and high pressure, non-evaporative drying
• Buffing: Optionally engaged submerged rotary buffing system provides extra scrubbing action
• Cleaning Agent: Perchloroethylene or 1,1,1-Trichloroethane

• Film Capacity: 4000 feet (1219 meters), 16 and 35mm
• Film speed: Adjustable 50-200 feet per minute (15-60 meters)
• Cleaning Tank Capacity: 3.5 gallons (13.5 liters)

• Distillation Tank Capacity: 4.5 gallons (17 liters)
• Distillation Time: Approximately 4 hours (Dependent on solvent)
• Power: 208-240V, 60Hz. (Export Version 50Hz.), Single Phase, 19 Amps

• Color: Beige and black. Anodized trim
• Weight: 950 Lbs. (428 Kg)
• Shipping Weight: Approximately 1200 Lbs (540 Kg)

• Options: 50 Hz operation 8-65-70 mm capacity available

AKAI GX-210D

• Track system: auto reverse, 4-track, 2-channel, stereo/monaural system
• Heads: 1 x record/erase, 1 x play
• Motor: 2 x reel, 1 x capstan

• Reel size: up to 7-inch reel
•Tape speeds: 3 3⁄4 7 1⁄2 ips
• Wow and flutter: 0.08% (7 1⁄2 ips)

• Frequency response: 30Hz to 25kHz (7 1⁄2 ips)
• Signal to Noise Ratio: 50dB
• Total harmonic distortion: 1.5%

• Crosstalk: 45dB
• Input: 60mV (line), 5mV (DIN), 0.3mV (mic)
• Output: 1.228V (line), 0.6V (DIN)

• Semiconductors: 29 x transistors, 15 x diodes, 3 x zener diodes

Contact Form

Call Us

Τel: 210 383 6350
Fax: 210 384 1381

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